This is the sixteenth lesson in our study of the Friulian language using the book Lis predicjis dal muini by Josef Marchet. Follow the links in Learn Friulian 1 to read the entire book in PDF form and to listen to the audio, available online courtesy of the Societât Filologjiche Furlane. The commentary below relates to that part of the second paragraph of La statistiche where Vigji talks about la viele di Treseman (Treseman's mother).
COMMENTARY ON THE FRIULIAN
La statistiche: paragraph 2, sentence 3b.
Vocabulary: la viele (old woman {mother}); la spale (shoulder); nonante (ninety); un carnevâl (carnival); cence (without); puar (poor, unfortunate); la femine (woman); une cjame (load, burden); une strussie (hardship); di ogni fate (of every sort); la famee (family); bastart (bastard {wretched}); dulà che (where); tocjâ (to touch, to befall); vivi (to live); cualchi (some odd, a few); un centenâr (about a hundred); un miâr (about a thousand); un rosari (rosary); dal sigûr (surely, for sure); il purgatori (purgatory); nancje cun (not even with); la ponte (tip); il dêt (finger); piçul (little, small).
The usual word for mother in Friulian is la mari, and for father it is il pari. Colloquially, la viele (old woman) and il vieli (old man) can also be used. Example: il gno vieli al è muart l'an passât (my old man died last year). Vigji tells us in a colourful way that, when Treseman's mother died, she was ninety years old: e veve su lis spalis nonante carnevâi (she had ninety Carnivals on her shoulders). Carnival is a Christian, pre-Lenten festivity, and Treseman's mother had seen ninety of them. For ninety, Vigji uses the variant form nonante, rather than novante. Though she had lived through ninety Carnivals, Vigji tells us that the poor woman (puare femine) had never lived it up in her life: cence vê mai fat carnevâl (without ever having lived it up). Fâ carnevâl is to be understood broadly, in the sense of to live it up, to revel, to celebrate. The four forms of puar are: puar (masculine singular); puare (feminine singular); puars (masculine plural); puaris (feminine plural). Stress is always on the u, for all forms: pù-ar. Not only does puar mean poor in the sense of poverty-stricken, it is also used to describe someone as being deserving of pity.
Masculine nouns ending in âl, such as carnevâl, form their plural by changing the final l to i. Examples: carnevâl, carnevâi (carnival, carnivals); cjavâl, cjavâi (horse, horses); pâl, pâi (pole, poles); gjornâl, gjornâi (newspaper, newspapers). It also applies to masculine adjectives: nemì mortâl, nemîs mortâi (mortal enemy, mortal enemies). In fact, the general rule is that it applies to masculine words ending in l where a vowel precedes it: arbul, arbui (tree, trees); cîl, cîi (sky, skies); pericul, pericui (danger, dangers); om fedêl, oms fedêi (faithful man, faithful men). Such adjectives in the feminine are handled so: condane capitâl, condanis capitâls (capital punishment, capital punishments); femine fedêl, femine fedêls (faithful woman, faithful women).
By une cjame di strussiis, Vigji means a load of hardships. These hardships were of every sort: di ogni fate. To form the plural of a regular feminine noun ending in e, the final e changes to is, as in: cjase, cjasis (house, houses); strade, stradis (road, roads); femine, feminis (woman, women). When the ending in the singular is ie, the plural becomes iis, as in: strussie, strussiis (hardship, hardships); fie, fiis (daughter, daughters); bestie, bestiis (beast, beasts). Vigji explains that the reason for the old woman's hardships was on account of chê famee bastarde (that wretched family) dulà che i jere tocjât (where it had befallen her) di vivi (to live). Bastart is obviously cognate with English bastard, but it is better understood here as meaning wretched. As for tocjâ, this translates literally as to touch, but it here takes on the sense of to befall: dulà che (where) i (unto her) jere (it had) tocjât (befallen) di vivi (to live).
If centenârs means hundreds and miârs means thousands, then centenârs di miârs means hundreds of thousands. This is used in the text in conjunction with cualchi, which, as you will remember, requires the use of the singular after it: cualchi centenâr di miârs (a few hundred thousand). The first instance of tocjâ encountered above means to befall; we now find another instance thereof, this time in its literal sense: no à tocjât purgatori (she did not touch purgatory). We are certain that the subject of this is feminine singular because of the use of no à, rather than nol à. Consider: la viele no à tocjât purgatori (the old woman did not touch purgatory); il vieli nol à tocjât purgatori (the old man did not touch purgatory). In the plural: chei no àn tocjât purgatori (those people did not touch purgatory). Looking back to the text, the che that appears before dal sigûr (surely) can be understood as meaning so that.
Nancje cu la ponte: not even with the tip. A finger of the hand is called un dêt, but so is a toe of the foot; where necessary for clarity, the following can be said: i dêts de man (the fingers of the hand); i dêts dal pît (the toes of the foot). The plural dêts is pronounced dês. The little finger and the little toe are called il dêt piçul, whereas the thumb and the big toe are called il poleâr; again, de man (of the hand) and dal pît (of the foot) can be added where context has not made it clear which is being spoken of. Another example: la ponte dal poleâr dal pît diestri (the tip of the big toe of the right foot); in addition to diestri (right), you will also encounter the forms dret and gjestri. The Friulian for left is çamp, so that la ponte dal dêt piçul de man çampe means the tip of the little finger of the left hand.
Information about western Friulian: Whereas in the central variant used by Vigji an old man is un vieli and an old woman is une viele, be prepared to hear un veçu and una veça in western variants. For instance, in the west, you may encounter something of the sort: la veça a no à toçât il purgatori nença cu la ponta dal deit pissul, which equates to standard la viele no à tocjât il purgatori nancje cu la ponte dal dêt piçul. In the western example, you will notice that the feminine, third-person singular and unstressed subject pronoun a (which is e in the standard) is retained before no, whereas it drops in the standard. The plurals of standard un vieli and une viele are i viei and lis vielis; the plurals of western un veçu and una veça are i veçus and li vecis.